Kombobulation

1. noun: to move towards a state of organization and understanding; to kombobulate.

Whoosh

Posted by mgnann on July 1, 2009

“I love deadlines. I like the whooshing sound they make as they fly by.”  -Douglas Adams

Well, I set myself a deadline of finishing by the end of June and today I missed it. I still have about 50k words to write. Some of those don’t have to be done from scratch, some are just incomplete chapters that just need polishing. I blame my real job, it takes up way too much time. But that’s a whole ‘nother blog entirely.

So today I kind of groaned when I looked back at something I wrote about 8 months ago.

I am getting close to putting together the end…I still believe I can reach my goal of having the first rough draft completed by the end of the year. – Me. October 9th, 2008.

Ha ha. On one hand, I’m not sure what I was thinking there. On the other, it can be hard for me to foresee  how much writing it will take to properly tell the story. I’m sure I thought of it as, “oh, let me just get these guys to Efegen’s so they can cruise into Taris, hook up with the right people, and execute the final scenarios,” and assumed that wouldn’t take long. Not that easy. Hell, I’ve known how the story would end for a few months, but now that I’m writing the final chapters I find it covers many more pages than I anticipated it would.

Tonight I tried to work on a building chapter that sets the tone for the end, but I wasn’t feeling it. So rather than fighting that and pressing on, I started putting down some bones for the last chapter. It’s been in my head and I need to start seeing what it looks like on paper.

And by paper, I mean on the monitor screen.

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For Blogging’s Sake!

Posted by mgnann on June 18, 2009

I haven’t been doing a lot of blogging because I have been actually writing. Also, I have a hard time deciding what to say here. So this is a random collection of thoughts as I wrote today.

  • I both love and hate describing settings. Stopping myself from trying to write a whole page describing a doorway and the room behind it is hard. Sometimes I have a heck of a time deciding what is descriptive and what is superfluous. Most of the the time when I’m reading a book, unless the author just lets me picture the scene myself, I can’t get what they are saying anyway, but for some reason when I’m writing I want to describe every single detail.
  • The two characters I am working on right now are in the biggest city they have ever set foot in. A common scene, you know it. Small town farm children find themselves swept into the greatest city in their realm and they are blown away by the vastness of it’s sprawling horizons. I feel like I’ve seen this in hundreds of movies and read it in lot’s of books, but it is a bitch for me to write. Do I describe the layout of the roads? Does Reader need to know that? Do they care? I have maps I’ve sketched out, I could show you.
  • I’ve been  looking for other authors who blog about the progress of their work, but haven’t found anything I really enjoy reading. Most of it is more about their life as a writer. Maybe I don’t like people. Maybe this type of blog is not engaging.
  • Siblings in the city. Cerra is getting caught up in her plot. This is a really fun part. It took me a while to figure out how to write it, but I like what is going down now. Concentrating on one character at a time is easier, write all their stuff and then sort out what goes where.
  • I think I have about 50k new words left to write. Then some splicing and I should be done. End of June is looking good.
  • Cerra and Alyandra chapters are fun. Theirs is probably my second favorite plot line, with Kabladan’s being first. They are also some of the easiest characters to write. One is a main character, the girl Cerra from Paxon. The other is a noble member in Taris. I’ve been really excited to have the two of them meet for a while, their personalities were made for each other.
  • Have trouble writing about this sect of minor charaters that play a important background role called Sha’shin. (Means assassin, okay?) They have one of the longest histories of all the peoples in the book and drive a major plot element, but for some reason I cannot get them to pop, sizzle, smolder. The seem very flat, even though I have given them multiple devices to work with (What are those mystical tattoos? Why are their eyes yellow?) The elements are there, but the Sha’shin will be a major player in any revised drafts.
  • Trying not to rush things is hard. I know there will still need to be a re-read and a final editing before I call this thing completed, but my epic first draft is almost complete and, goddamn it, I am glad.

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All of May

Posted by mgnann on May 25, 2009

Man, oh man. Sometimes I think I should have picked something simpler for my first attempt to write a book. I’ve read a few successful writers give that advice, not to get in over your head for your first attempt. Well, I like a challenge and I’ve always told myself if I could pull this off then I can write anything.

I’ve got a lot of plot lines that need to come together. Its like trying to braid a rope out of pissed off moray eels. Even with that going on, I feel I am basically still on schedule for the deadlines stated in the last post. I am cranking out a lot of unrefined chunks of words, getting the ideas down, dictating what I see. But it’s hard when I get to a tangle of plot lines that need sorting out and I have to stop and think about how I am going to get to where I need to go.

Insert knotted rope metaphor here….

Back to work.

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Blazing Speed

Posted by mgnann on April 23, 2009

Last Sunday, after a thoroughly enjoyable day at JordanCon, I sat down to do some writing. Now usually I have a problem where I try to make everything perfect before moving on. I spend a lot of time revising, not writing.  Well, I’m done with that. Sunday I sat down and started typing and didn’t stop until I had almost 7,000 words. That isn’t much overall, but it set down the bare bones for a couple chapters. And guess what? It worked better than planning.

So from here on out I will just write, no more days upon days of outlining. And I’m stating it in a blog so it must be true (serious face).

This method is not a surprise to me. I’ve known before that I was more of a discovery writer than an outliner. But for some reason I try to fight that and I waste a lot of time planning and brainstorming, when I should be letting my fingers do the thinking. If anyone out there is trying to become a writer, I would suggest that you first figure out whether you are a discovery writer or a outliner, and stick to what you do best.

Now if I could only follow my own advice.

Normally I would spend another week revising this section, polishing it, getting the prose perfect, the setting descriptions just right. This time I wont. I am going to move on, next time I will shoot for 10k words. That is my new goal: 10k on long days of writing, 5k+ on afternoon/evening sessions. At this pace I should have this draft done in June. That is another goal I am setting. Deadlines have never really been my thing, but I am going to start trying to set some.

Following these plans, within the next couple of months, I will have a very complete first half, and a skeleton of a second half. From there it wont be too difficult (fingers crossed, knock on wood) to flesh out the second part. At that point I will re-read the entire thing, adjust some wording and plot, and by the end of summer, probably sometime in August, have a very polished draft ready for anyone who wants to give it a read.

At least, that’s the idea.

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More @ Pine

Posted by mgnann on April 15, 2009

New short fiction over at Pine Magazine.

“I started drinking again.” Willard interrupted me. I wasn’t sure what to say to that. He hadn’t said four words since we sat down to eat and now he pops out with this?

“When?” I asked. It seemed like an appropriate question.

“Tuesday,” he answered.

I smelled the heat of his breath and sighed.

Who starts back drinking on a Tuesday?

Read Champs here.

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Pine and Me

Posted by mgnann on April 7, 2009

One more thing, before I forget to do this damn post AGAIN.

Pine Magazine has run one of my short stories in their Short Fiction section. Yes, this is supposed to be a blog about my book, but I’m always game for some shameless self promotion.

Go here to read Into the Fire. And check out Pine Magazine, because it’s radical.

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A Few Words on the Prologue

Posted by mgnann on April 7, 2009

I’ve got a new page up. Titled, Prologue, it’s pretty self explanatory, but I do want to give some insight on it.

Ideas for a prologue  have been bouncing around my head for a while now. The current first chapter has gone back and forth from being a prologue to it’s place now, Chapter 1. Who knows where it will end up. I wrote this one because I am doing a lot of work outlining the end, preparing to write the book’s conclusion. And I know, I know, I keep saying, “I’m writing the end!”,  but it is continually more work than I expect.

Because the end is very derivative of the actions that take place in this new prologue,  I needed to know what happened before the story.  So I gathered up the few notes I had about The Time Before and jotted a quick outline. Since Bayon Vothginga and the Flush have been plot devices  hosted in my mind for a long time, I had an idea about the events that I wanted to occur, but as always, once the writing starts, new ideas find their way in.

The story in the prologue takes place a few hundred years or so before the rest of the book ( I haven’t quite figured out the time line to my own story), and I’m a little conflicted about how much I like it. It rushes quite a bit. Seriously, the whole thing could be turned into a short story of it’s own. But once I started fleshing it out for my own purpose, I realized it was a really informative piece. As someone who hasn’t read the complete work, you can’t know how much information is dropped in that seven page prologue.

I think once the book is complete, readers will love going back to this prologue, whether it makes it past the final cut or not, because it is chock full of name drops, foreshadowing, and set up. In my omniscient view of the story, it’s a really fun read. I think it will become a serious gem for anyone who gets a look at it before the book comes out.

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Archetypical Characters

Posted by mgnann on March 23, 2009

Over the past few days I’ve been revising a section near the middle part of the book, three or four chapters in which the character’s personal goals become more wrapped up in the overarching storyline.

The setting is a small trade town that has been taken over by Kabladan’s armies in order to confiscate any trade goods that would be moving to the capital city, Taris. It is the first destination of our two main characters, the knight and the woman, the former who was beseeched by the latter to serve as a guide to get her there.

When I originally wrote this part I knew there were some scenes that did not quite flow the way I wanted them to. The town itself was kind of bland and the side characters popped in and out with no explanation as to who they were or where they came from. I’ve tightened much of that up, added some backstory that will help make these secondary characters more understandable, and interjected some color into a setting that was pretty much black and white.

Overall, I think these 3-4 chapters are  some of the most exciting and action packed sections yet written. So much begins to happen, secrets revealed, fight scenes, information about the invading armies.  My only hope now is that it isn’t too much information for the reader, but I don’t think it will be. Rather I expect these few chapters to be a crux of the book, a sort of turning point where the story begins to open up and show more of the world and it’s history.

Also, two new main characters are introduced for the first time. Which makes our company complete!

One more thing. If you look at the post so creatively entitled, The Book, which now is it’s own page, A Simulacrum, you can see a mention of the six characters I am working with. All are common archetypes found in literature; the warrior, the mysterious woman, the wanderer, etc. Intimate symbols like these are easily recognized by readers and grant them the ability to hitch a ride with a comfortable vehicle that will carry them through unfamiliar terrain.

I’m resisting the urge to turn this into a disquisition about archetypes and unconscious persona’s, so if you’re into that kind of thing and want to learn more about it, and how it relates to characters in literature, religion, myth, and legend, then I highly recommend Joseph Campbell’s The Hero with a Thousand Faces.

Coming up, I plan to do some posts devoted to each of my main characters. I’m not sure exactly what the content will be, perhaps narrative flashbacks by each, or excerpts that show them in action. Something that will set up their identity without spoiling the story. If anyone has any ideas or opinions on what they would like to hear about, drop me a comment.

Until then, adios!

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What I’m Reading

Posted by mgnann on March 3, 2009

Right now I am almost finished with A Feast for Crows, the last completed book in George R.R. Martin’s Song of Ice and Fire series. Originally I wanted to hold off on starting another unfinished series, but I decided to read the first book to see if it was something I would like and suddenly I found myself three books in. The series is just too good to put down.

I think the next book, A Dance with Dragons, is slated to be out sometime this year. I’ll be really excited to see what happens with my favorite characters, most of which were not included in A Feast for Crows. Until then I wont be a jerk about the release, there are countless other works I want to read.

One is this new book, Anathem, by Neal Stephenson. When I heard about it I wiki’d the author. He also has a series of novels called The Baroque Cycle that seem to be close to historical fiction, while Stephenson himself has called them science fiction. I enjoy such ambiguity between genres.

The baroque era and the late years of the Scientific Revolution is a time period of great interest to me because I am trying to write during a fictional period of Enlightenment. It always helps to see how others do this type of thing.

So after I’m done with A Feast for Crows I’m not sure what I’ll read next, Anathem, or start the The Baroque Cycle. Eventually I’m sure I will read both, so the question is really where to start.

Finally, I want to mention something I have been reading online. On the Tor website there is a (official) re-read of The Wheel of Time series. The lady-person doing the re-read gives a good synopsis of each chapter, then offers some commentary about what happened. She is really very funny and super insightful. I urge anyone who is a fan of the series and is anxious for Sanderson to get us to Tarmon Gai’don, but doesn’t have the time to re-read the extensive series themselves to check it out.

So that’s it for today. I’ll end things with a quote. This is from an interview with Neal Stephenson speaking about the similarities between what computer programmers and novelists do. Now I’m no programmer, but this makes me nod my head up and down.

“In both cases one is trying to build a great big system of words. It is highly structured. The structure has many layers of hierarchy. And there are many links that bind different parts of the structure together, and those links must all be sorted out. It all amounts to a quite elaborate thing. But one can’t work directly on the structure itself; the only way actually to build it is by writing one letter at a time.”

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The Helsinki Retraction – Chapter 4. Shadows

Posted by mgnann on February 20, 2009

This has been written for a while and should have been posted back when it was more relevant but who cares, here’s some content!

Standing gathered around the lightboard looking at x-rays that resembled a ghost’s portrait, the doctors decided the eye socket was the most suitable entryway to Mr. Jay’s brain, rather than drilling to remove a piece of the skull, the rind of bone, the pulp and the brainy pith. A lobotomy method was cheaper and assuredly safer than trepanning, ignoring the temporary sensitivity to light and temperature the eye would experience. 

The machine did all the work. Matted steel arms swiveled in position, a soldierly gesture, precise movement as only autonomous beings could do. Tempered robotic phalanges cased in yellow rubber gripped a scalpel more deftly than any of the surgeons could claim to do without at least one drink.

One of the surgeon smeared Vaseline around the eye socket. With a whir the arm began to move.  A robotic finger pushed away the eyeball, to it, nothing more than a berry floating in an encasement of gravy. Behind the sinus cavity the brain is pink and congealed, black redness where the space is. An incision made with a scalpel provides room for the microchip to slip in like a  little insect, crawling into the fold to reach out her pincers and take neurons into her mouth.  There she waited, dormant, away from the light.

Afterwards, the patient was quite mad, having never really received any physical pain during his testing except for perhaps the mild itching, stinging, burning, rashes, hallucinations, poxes, or strands of the common cold for more than a few days. He yelled at the aftercare nurse, then locked himself in the bathroom until his money and clothes were brought to him.

To stimulate the appropriate response, we slipped cold hard cash under the door, fanned out to show all ten hundred dollar bills.

“A coin in the tithing bowl is an investment in your soul,” as my late grandmother used to say. Mr. Jay, in the position to be his own type of judge, must have been placated, for after a bit of time quietly staying in the bathroom, which we later found out he was using to peel the security strips out of the bills, he came out dressed and remained docile until we showed him out the door.

I followed and like flood waters from the storm drains, my hired shadows came creeping to me. I threw their transmitters on the ground and crushed them with my heel. I gave them better ones. I checked their weapons. (They were fine.) I gave them photographs of their subject:  Mr. Jay snorting powder in his car, Mr. Jay pissing on the side of a building, supporting himself with one had on the wall, Mr. Jay sleeping on spray-painted concrete, dead leaves and stillborn lotto tickets scattered around him like confetti at some party for the abolishment of fate.

My shadows watched as, of course, Jay got stoned. He met a boy in the parking lot behind Red Lobster. The youth came out with a broom, leaned it against the wall and took from his pocket a biscuit that he began to eat. When he saw Mr. Jay’s car coming, he finished the biscuit, took the broom and began to sweep water into a drain grate as he walked towards where the car was parking.

The window to the car rolled down and the kid leaned inside. “Oh shit! What happened to you? That’s fucked up, man. I don’t even wanna know, nevermind. Wassup? What you need?”

Mr. Jay handed him a hundred dollar bill. The kid laughed, said he wasn’t a cashier. Jay told him to give him what he could get for it.

“Aight, aight. Yea, here you go, get fucked up, man. But, watch out in them streets, man. It’s war out there.”

Mr. Jay backed out of the parking lot. He drove to a Revco where he went inside and bought two bottles of Nyquil. He spent the next few hours in his car, driving around, listening to the radio, sipping cough syrup, and sucking fumes out of a glass tube.

When night came I was able to use the darkness as my gateway, emerging again at another time and place. Jay was asleep in his car, parked under a bridge, the above passing traffic making thrump-thrump, thrump-thrump noises as the vehicles passed by, a fire in a barrel which made my hollow reflection jump and dance on the underneath of the bridge, a two dimensional troll with ESP undermining the stability of the span, Horner’s zoetrope showing dark thoughts to those only asking for safety during that vulnerable time between solid grounds.

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